Corsica in summer has its own tempo. Salt in the air, pine trees heating under the sun, the sea shifting from deep blue to turquoise as the day stretches. Arriving in Calvi for the 10th anniversary of Calvi on the Rocks feels less like entering a festival and more like stepping into a shared ritual.



We are invited through the brands sponsoring the edition, moving fluidly between beach, boats, bars, and backstage pockets. No hard boundaries. Everything blends. Sand under bare feet, music drifting from late morning into night, the citadel watching quietly from above as if it has seen this all before.
The beach is the true main stage. Sunlight bouncing off the water, bodies half-submerged, half-dancing. Sound systems tuned just enough to vibrate through skin without breaking the spell. DJs play as if they are part of the landscape, not above it. Sets feel conversational, elastic, shaped by the crowd and the heat.







As afternoon turns liquid gold, the bars come alive. Cold cocktails sweating in the hand, champagne popping with casual precision. No excess, just abundance. Conversations move between fashion, music, publishing, art, politics. Almost every table holds someone shaping French culture in real time. Editors, label heads, designers, artists, founders. Everyone temporarily equalized by sun and sound.
Behind the decks, familiar faces cycle through. Pedro Winter, Busy P, anchors the scene as always. Not as a headliner in the traditional sense, but as a gravitational force. Around him, his extended constellation of DJs and artists. Ed Banger energy without branding. Just presence. Just rhythm. France’s electronic backbone quietly asserting itself.




Night falls gently in Calvi. The heat softens, the sea turns black, lights flicker across the beach and into the bars lining the port. Music deepens. Bass travels farther over water. Dancing becomes slower, heavier, more intentional. Champagne glasses clink against stone counters polished by decades of summers.
What makes this anniversary edition special is not nostalgia. It is continuity. Ten years in, Calvi on the Rocks still resists becoming a product. It remains a convergence. A place where French cultural leadership relaxes its posture, where influence is horizontal, where deals happen without being named, where friendships outlast tracks.

This is not a festival you attend. It is a mood you enter. And once you do, time loosens its grip.




